Venice Biennale
Nearly 200 Venice Biennale participants sign letter demanding cancellation of Israeli pavilion
The 2026 Venice Biennale (9 May–22 November) is arriving with an unusually explicit political fight inside the art world. Nearly 200 artists, curators and art workers involved in the Biennale signed a letter calling for Israel’s exclusion, arguing that the Biennale should not “platform the Israeli state” while it wages war in Gaza. The organisers say they “reject any form of exclusion or censorship of culture and art,” and they also claim they don’t have the authority to exclude any country recognised by Italy.
Context: Israel’s permanent Giardini pavilion is closed for renovation, so the exhibition would instead be hosted in the Arsenale—a space managed directly by the Biennale, which activists say removes the “they just rented a venue” argument. The piece also notes a previous 2024 call that amassed tens of thousands of supporters and ended with the Israeli pavilion never opening after the artist kept it closed until a ceasefire/hostage deal.
Next step is pressure escalation: the group suggests broader boycott dynamics and even the possibility of industrial action in Italy around the opening. For visitors, this matters because the Biennale isn’t just “what’s on view”; it’s increasingly also “what’s contested”—and those tensions often spill into public programming, opening-week conversations and media narratives.
Source: The Art Newspaper